Realistic Dual Natures in Louisa May Alcotts Little Women Essay

Realistic three-fold Natures in Alcotts dwarfish WomenEveryone carries a shadow, and the less it is embodied in the one-on-ones conscious life, the blacker and denser it is - Carl Jung to each one of us has the capacity for virtue or vice, and our daily actions reflect the confederacy of twain. In literature, however, people argon some convictions depicted as universe completely one or the other, broad us inaccurate views of military personnel nature. We identify better with characters who atomic number 18 more(prenominal) like us--neither completely correct nor bad. Meg, Jo and Amy March in Alcotts secondary Women do not categorically portray complete good or complete evil, but their veridical dual natures increase their believability and come out their moral twist on us. This character wave-particle duality is first unornamented in Marg atomic number 18t, the eldest sister, as we receive a description elaborate her looks and countenance. Meg is very rea sonably with large eyes, plenty of soft, br hold hair, a saintly mouth, and white hands, of which she was or else vain (Alcott1 5). This description leads the reader through with(predicate) sweetness and innocence, finishing with a flaw. From the beginning, her vanity glares at us as her most obvious fault. Yet, in spite of her small vanities, Margaret had a sweet and pious nature, which unconsciously influenced her sisters (LW 16). contrast the negativity in Megs personality is a soma and remarkable side. Both vanity and kindliness represent themselves throughout the novel as we evaluate the effects this duality has upon our judgment. Leading the novel, Megs vanity manifests itself in her desires for Christmas. Times are difficult and money is tight, except Meg has ideals of her own regarding the Christmas money. She explains to ... ... The implications of the novel may not fully push us until later, after we take the time to experiment the flaws and strengths we see i n Meg, Jo, and Amy. Like us, these three March girls are completely human--possessing dual natures of both good and evil--and because of their realistic natures, they have a greater moral influence on us. Once we fully examine the characters, we examine ourselves and have the function to act on the characters influence. We can mark leave aloneingly from these characters and use their experiences to blob our faults, like the March girls who are endlessly quick to note their own shortcomings. Note1 All go on references to Alcotts Little Women are to the edition listed in the Works Cited and will be labeled merely LW followed by page numbers.Work CitedAlcott, Louisa May. Little Women. New York Signet, 1983. Realistic Dual Natures in Louisa May Alcotts Little Women EssayRealistic Dual Natures in Alcotts Little WomenEveryone carries a shadow, and the less it is embodied in the individuals conscious life, the blacker and denser it is - Carl Jung Each of u s has the capacity for virtue or vice, and our daily actions reflect the combination of both. In literature, however, people are sometimes depicted as being completely one or the other, giving us inaccurate views of human nature. We identify better with characters who are more like us--neither completely good nor bad. Meg, Jo and Amy March in Alcotts Little Women do not flatly portray complete good or complete evil, but their realistic dual natures increase their believability and intensify their moral influence on us. This character duality is first evident in Margaret, the eldest sister, as we receive a description detailing her looks and countenance. Meg is very pretty with large eyes, plenty of soft, brown hair, a sweet mouth, and white hands, of which she was rather vain (Alcott1 5). This description leads the reader through sweetness and innocence, finishing with a flaw. From the beginning, her vanity glares at us as her most obvious fault. Yet, in spite of her small vanities , Margaret had a sweet and pious nature, which unconsciously influenced her sisters (LW 16). Contrasting the negativity in Megs personality is a kind and remarkable side. Both vanity and kindness represent themselves throughout the novel as we evaluate the effects this duality has upon our judgment. Leading the novel, Megs vanity manifests itself in her desires for Christmas. Times are difficult and money is tight, yet Meg has ideals of her own regarding the Christmas money. She explains to ... ... The implications of the novel may not fully impact us until later, after we take the time to examine the flaws and strengths we see in Meg, Jo, and Amy. Like us, these three March girls are completely human--possessing dual natures of both good and evil--and because of their realistic natures, they have a greater moral influence on us. Once we fully examine the characters, we examine ourselves and have the responsibility to act on the characters influence. We can learn willingly from th ese characters and use their experiences to recognize our faults, like the March girls who are always quick to note their own shortcomings. Note1 All further references to Alcotts Little Women are to the edition listed in the Works Cited and will be labeled simply LW followed by page numbers.Work CitedAlcott, Louisa May. Little Women. New York Signet, 1983.